| 1994 | Don’t Call me Erotic, catalogue article for Feminale Womens’s Film Festival programme Cologne (D) |
| 1996 | Surely Everybody Makes Their Own Home Pornos? Article for VIVA 8 Festival catalogue, London Film Makers Co-op (GB) |
| 1996 | Surely Everybody Makes Their Own Home Pornos? Article on Super 8 Site Elevator Web Dundee (GB) |
| 1996 | Triptych for a Jewish Princess Second Generation A5 altarpiece pamphlet (D) |
| 1997 | 2 Photos (Video Stills) in Collectors Book, Mensch 2000, HochBunker Cologne-Ehrenfeld (D) |
| 1999 | Menschen wie Du und Ich (People Like You and Me), exhibition catalogue, English and German, produced by Ury, Cologne City Museum, publishers Korridor Verlag ISBN 3−9804354−6−6 (D) |
| 1999 | Taking on the Mantle article by Ury, images: Moving Message logo, Golden Showers, Triptych for a Jewish Princess Second Generation, AufBrüche — Kulturelle Produktionen von Migrantinnen, Schwarzen und jüdischen Frauen in Deutschland (Marginal Cracks — Cultural Production by Women Migrants, Black and Jewish Women in Germany), publ. Ulrike Helmer Verlag ISBN 3−89741−042−7 (D) |
| 2000 | Ô d’Oriane, exhibition catalogue produced by Ury, publ. Korridor Verlag ISBN 3−9804354−2−3 (D) |
| 2001 | Sonata in Sea, leaflet of photo series produced by Ury, (D) |
| 2001 | Hermes Insensed exhibition catalogue produced by Ury, photo series with 15 short stories, publ. Korridor Verlag ISBN 3−9802189−4−5 (D) |
| 2001 | Die Gehängten by Ury in Patriarchat der Vernunft — Matriarchat des Gefühls? Geschlechterdifferenzen im Denken und Fühlen (Patriarchy of Rationality — Matriarchy of Feeling? Gender Difference, Thinking and Feeling), publ. Daedalus Verlag ISBN 3−89126−167−5 (D) |
| 2002 | Neon signs: wrestlewithyourangel, neonazi & Building Bridges short story by Ury in Termini Technici catalogue, publ. Salon Verlag, Cologne ISBN 3−89770−150−2 (D) |
| 2002 | Hermes Insensed no.57, no.59, Holding the Baby short story by Ury with two portraits of Peter Zadek No. 1 & No. 2 15.07.2000, in Ambivalence catalogue ISBN 3 – 928239-66‑X (D) |
| 2002 | Transcending the Ladder article by Ury in ‘From Work to Word’, publ. Korridor Verlag ISBN 3−9804354−8−2 (D) |
| 2003 | Publication of the script (English and German) of Tanya Ury’s video Hotel Chelsea – Köln (1995) in “Spricht die Subalterne deutsch? Migration und postkoloniale Kritik“ (Can the Subaltern speak German? Migration and Postcolonial Criticism), Hito Steyerl, Encarnación Gutiérrez Rodríguez (editors.): ISBN 3−89771−425−6; “Gesellschaftstheorie und Postkoloniale Kritik” (Society and Postcolonial Criticism). Unrast Verlag, ISBN 3−89771−425−6. (D) New release 2012 www.unrast-verlag.de/s… www.unrast-verlag.de/a… 2004 |
| 2004 | (4) Thorn in the side, interview by Amin Farzanefar, with image Art Prize No. 4, Zeitschrift für Kultur Austausch (Magazine for Cultural Exchange) (D) |
| 2005 | Who’s Boss project presented in “Stets gern für Sie beschäftigt…” (”Always glad to be of service…”) catalogue, ifa Galerie, Berlin |
| 2005 | (27.1) Interview by Julia Kaiser, Who’s Boss, Deutschland Radio, Berlin (D) |
| 2005 | (27.1) „Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), ifa-Ausstellung über “Industrie und ihre NS – Auftraggeber” (ifa exhibition about “Industry and its National Socialist employers”, Kulturradio, rbb-online.de Im Hörfunk, Berlin (D) |
| 2005 | (3.2) Interview by Otto Langels Scala, Who’s Boss, WDR Radio, Cologne (D) |
| 2005 | (4.2) Interview by Katrin Cüruk, Who’s Boss TDI a, Life Style-Magazin, Kabelfernsehen (cable TV) DT1 Deutsch-Türkisches Fernsehen (German-Turkish TV), Berlin TV (D) |
| 2005 | (2) Interview by Von Oppen Deutschlandfunk, WDR Berlin (D) |
| 2005 | (1.4) Who’s Boss project presented in Anti-Flick-Collection Edition of Texte zur Kunst, in the TAZ newspaper, Berlin (D) |
| 2005 | (6) Das Leiden Anderer Missachten — Disregarding the Pain of Others, article in FILMRI:SS — Studien zum UNTERGANG der Erinnerung (Memory Loss – Studies in the downfall of Memory), Unrast Verlag ISBN 3−89771−435−3 (D) |
| 2005 | Interview by Doris Frohnapfel in Border Horizons, edited by Doris Frohnapfel, Salon Verlag ISBN 3 – 89770-241‑X (D) |
| 2005 | (12) Interview Isabella Herskovics, Promised Land, Saarländisches Radio (D) |
| 2005 | (4.12) Interview Dominik Rzepka, Promised Land, Radio Dom, Cologne (D) |
| 2006 | (26.8) Interview with Aron Hadar and images: Promised Land: Beelzebularin and Who’s Boss: Art Prize No. 4, Ha’aretz (IL) |
| 2006 | (12) Stick Insect (Stechmücke), short story (English and German versions), Bet Debora conference 2003 web site: www.bet-debora.de/neu/… |
| 2007 | (7) Publication of Who’s Boss article in Translate/Narrate issue, volume 20, n.paradoxa, International Feminist Art Journal, London (GB) web.ukonline.co.uk/n.p… |
| 2007 | (15.7. – 26.8.) Du bist Einstein in catalogue, Kunstverein Rosenheim Jahresausstellung (yearly exhibition of the Rosenheim Art Centre), Städtische Galerie (City Gallery), Rosenheim (D) |
| 2007 | (15.10) Pdf versions of Ury’s article (English and German) Theme Park Reconstructed including all images of the photo series Theme Park, published in Reconstruction: Studies in Contemporary Culture, Volume 7, Number 4, English and German versions: reconstruction.eserver… reconstruction.eserver… |
| 2008 | (5) Play it by Ear no. 3 (English only) published in Art in Migration magazine, Theme: FEAR OF THE (UN)KNOWN, Vienna (AT) www.audiolog.at/aim/ar… artinmigration.twoday.… sohoinottakring.at/200… |
| 2008 | (6) Tanya Ury — Limmud Statement (Jewish Alfresco – Limmud: Teaching and Learning at Werbellinsee, by Hartmut Bomhoff), for the Jüdischer Zeitung (Jewish Newspaper, Germany), No. 6 (34), (D) |
| 2008 | (9) Promised Land: 3 photographs: Beelzebularin and 2 digitally handwritten texts in English and German, Virtual Residency catalogue ISBN 978−3−9812208−0−3 (D) www.virtual-residency.… |
| 2008 | (1) Anadoma Film/Video-Festival, Braunschweig catalogue, discussion with Florian Krautkrämer on the video Promised Land (pdf) (D) |
| 2009 | (22.4) “Cologne’s Conscience” (German), article on the collapse of the Historisches Archiv (Historical Archives) by Ury in the Kölner Stadt-Anzeiger (Cologne City Advertiser) (D): „Guten Morgen Köln!“ (Good morning Cologne!) online 22nd April from 9 am www.ksta.de/html/artik… / |
| 2009 | (25.5) “Conscience 2” (German), 2nd article on the collapse of the Historisches Archiv (Historical Archives) by Ury in the Kölner Stadt-Anzeiger (Cologne City Advertiser) (D): „Guten Morgen Köln!“ (Good morning Cologne!) online 25th May from 9 am www.ksta.de/html/artik… / |
| 2009 | (16.7) “Conscience 3” (German), 3rd article (shortened version) on the collapse of the Historisches Archiv (Historical Archives) by Ury in the Kölner Stadt-Anzeiger (Cologne City Advertiser) (D): „Guten Morgen Köln!“ (Good morning Cologne!) online from ca. 9 am under the news heading: www.ksta.de/html/seite… also: www.ksta.de/html/artik… |
| 2009 | (12.8) “Conscience 4” (German), 4th article on the collapse of the Historisches Archiv (Historical Archives) by Ury in the Kölner Stadt-Anzeiger (Cologne City Advertiser) (D): „Guten Morgen Köln!“ (Good morning Cologne!) online from ca. 9 am under the news heading: www.ksta.de/gutenmorgen h |
| 2009 | (1.11) The Senses on the Arkadas Theatre, Bühne der Kulturen (Stages of Diverse Cultures) website Cologne (D) www.buehnederkulturen.… |
| 2010 | (21.12 – 12.6.2011) Poker Poems presented in an online exhibition, “The Weight of the Words”, curated by Pedro Torres (ES) www.stuffinablank.com/… |
| 2011 | (6) Self-portrait of a Self-Hating Jew (full version of Ury’s article in English), published in “Migration, Communication & Home — Jewish Tradition, Change & Gender in a Global World” Tania Reytan — Marincheshka, Editor. LIK Publishing House ISBN: 978−954−607−802−5 ISBN: 954−607−802−6 Sofia (BG) |
| 2014 | (4.9.) The current edition of the Kunstadressbuches Köln 2008 (Cologne Art Address Book 2008) — kuenstlerverzeichnis-koeln.de – has been released on 4.9.2014, including pages on Tanya Ury. The publishers of this and the 2008 book are the BBK Cologne (Bundesverband Bildender Künstler – The Federal Association of Fine Artists) in coöperation with the Kulturamt der Stadt Köln (the Cologne Arts Council). (D) freigabe-kvk.ausstellu… |
| 2015 | (1) Publication of all in a name – nomen est omen in the War issue, volume 35, n.paradoxa, International Feminist Art Journal, London (GB) |
| 2015 | (1.4. – 30.6.) Artistic Freedom No. 7 & No. 9, each 35 x 23.5 cm (edition of 20), glossy digital laser exposure, to be presented for sale in the Büchergilde Buchhandlung-Magazin (Book Guild Gutenberg Coöperative Magazine) Frankfurt am Main (D) Price for members 400 Euros, non-members 650 Euros |
| 2015 | (5.) slip stream — between poetics and politics – improvisation in Cologne, Tanya Ury’s article published online in “Performance Matters”, a new journal in performance studies performancematters-the…, edited by Prof. Dr. Peter Dickinson, Simon Fraser University, Vancouver (CA) |
| 2015 | (19.4. – 1.11.) Tanya Ury’s Имя говорит само за себя, nomen est omen — all in a name is presented the catalogue to Frauen in Krieg und Frieden, 15−45−15, Geschichte, Dokumente, zeitgenössische Kunst – Women during War and Peace, 15−45−15, History, Documents, Contemporary Art, Frauenmuseum (Women’s Museum) Bonn (D) |
| 2016 | (9.) Tanya Ury’s photo no. 02 from the series Artistic Freedom published with a text, pages 155 – 158, in the Bet Debora Journal III – Engendering Jewish Politics – Frauenpolitik für ein Modernes Judentum, German-English, Hentrich & Hentrich Verlag Berlin ISBN 978−3−95565−131 (D) |
| 2016 | (9.) Tanya Ury’s photos nos. 1, 2, 4, 5, 9, from the series Artistic Freedom published with a text, pages 201 – 204 of the catalogue to “Menschenräume” (Human Spaces) “International Photoscene Cologne 2016” (D) issuu.com/norgoe/docs/… |
| 2017 | (1.8.) Personal statement by Tanya Ury on her Who’s Boss, nomen est omen artworks for Katy Deepwell’s n.paradoxa publication (GB), on its 20th anniversary online: www.ktpress.co.uk/conf… |
| 2017 | Tanya Ury’s critical work Who’s Boss on the Hugo Boss company Nazi connections referred to on the German Hugo Boss Wikipedia website de.wikipedia.org/wiki/… |
| 2017 | Tanya Ury’s performance Kölnisch Wasser, dedicated to Milena Jesenská – the WW2 Czechoslovakian resistance activist — is referred to on the German Milena Jesenská Wikipedia website: de.wikipedia.org/wiki/… |
| 2018 | (spring) Personal Affects – Going into the Archive (short paper) with images — still from Fury, video-performance 2009 and photo (Tanya Ury) 2009 of voluntary workers undertaking first aid in restoring damaged documents, in the temporary storage spaces of The Historical Archive of the City of Cologne at Porz, after the Archive buildings had collapsed — published in the Bet Debora Journal IV, Hentrich & Hentrich Verlag Berlin (D) |
| 2018 | (10) Images and text — Tanya Ury’s photo series Artistic Freedom (No. 9), published in “Shifting Corporealities in Contemporary Performance — Danger, Im/mobility and Politics”, a book publication, publ. Avant-Gardes in Performance, Palgrave Macmillan. Editors: Aneta Stojnić |
| 2020 | (1) Tanya Ury publishes the article “Personal Affects – Going into the Archive and Empire’s New Clothes” (long version in English), with the image of Archive Fever, in “Opposing Colonialism, Anti-Semitism, Turbo-Nationalism: Rethinking the Past for a New Future of Conviviality”, Cambridge Scholars Publishing, edited by Marina Gržinić and Sophie Uitz (GB) archiveofamnesia.akbil… www.cambridgescholars.… |
| 2020 | (6.6.) Tanya Ury publishes love in the time of corona, a poetic narrative in English, as a contribution by invitation to Tanja Ostojić’s Misplaced Women?. The text being about isolation and feelings of misplacement, because of age and illness even before the time of corona, is presented online at: misplacedwomen.wordpre… |
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