Web site: www.tanyaury.com
A photoseries of four:
1. Art Prize 1996 2. Art Prize 1998 3. Art Prize 2000 4. Art Prize 2002 4 photographs sealed under plexiglass and mounted Photographs: H 55 cm x B 122.5 cm (Edition of 7) (Edition of 7: H 45 cm x B 100 cm) Format: 1 x 2.227 Insurance value Each picture 2,500 €uro (x4 = 10,000 €uro) Since 2010, Tanya Ury has been working on the research project Who’s Boss – Empire’s New Clothes, as PhD. in Humanities candidate at Leiden University, Institute for Cultural Disciplines (NL)
Each of the four digital photo-collages is composed of three elements; the first constituent, taken from a set of Hugo Boss advertisements for the autumn and winter collection 1998 – 99, demonstrates amongst other things, a leather coat that closely resembles a World War II German Luftwaffe overcoat. The second is a collection of Spanish postcards from the Franco era displaying simplistic drawings of couples, doll-like girls with uniformed boy soldiers. The last of the three components are photographic self-portraits (of Tanya Ury) from 1996, naked and posing with an original full-length, Nazi leather Luftwaffe coat.
The revelations of the Boss Nazi origins in 1997 were obviously bad press for Hugo Boss AG. They preferred to be seen in a more charitable light and believed correctly that this would be possible, for the Solomon R. Guggenheim Foundation had, as early as 1996, already administered a biennial international art award of $50,000 in the name of Hugo Boss.
The Hugo Boss Prize was established to recognize significant achievement in contemporary art. According to its criteria, this prize sets no restrictions in terms of age, gender, race, nationality, or media, and the nominations have included young, emerging artists, as well as established individuals whose public recognition may be long overdue. Until 2004 the winners have been:
1. 1996 Matthew Barney (USA) 2. 1998 Douglas Gordon (UK) 3. 2000 Marjetica Potrc-Kagiso (SL) 4. 2002 Pierre Huyghe (F)
Hugo Boss, one of the most renowned contemporary fashion concerns, now also has the reputation of being an art benefactor. The distinguished jurors of the prize in validating this charade of generosity perceive no incongruity, nor do the winners seem to be concerned that in accepting the award, they are turning a blind eye to history and the notorious activities of the fashion establishment Hugo Boss, that not only profoundly exploited its forced labour workforce, in the period from 1940 – 45 but was also actively involved in supporting the Nazi war machine.
Information
Concept: Tanya Ury
Digital processing: David Janecek
Artist’s self-portrait, camera: Doris Frohnapfel
Who’s Boss — a collection of works:
- Fashion Victim
- Barbie and Klaus
- Hair Shirt
- Hair Shirt Army — Armee des härenen Gewandes
- shower proof
- Art Prize
- Röslein Sprach…
- Boss Rune
- Your Rules
- Soul Brothers & Sisters
- Selection
- sweatshop
Presentation
2005 Group exhibition, Who’s Boss), “Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), ifa Galerie, Berlin (D)
2005 (28.1.-end April) Group exhibition, Boss Rune T‑shirts, Schöne Grüße (Best Wishes), Propeller, Friedrichshain, Berlin (D)
2005 (28.5 – 3.7.) Group exhibition, Who’s Boss, Prora Documentation Centre, Rügen (D)
2005 (11.11. – 6.1.2006) Group exhibition, Who’s Boss, “Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), Kunstverein Rosenheim (Art Centre), (D)
2006 (26.7. – 9.8.) Solo exhibition, seminar Presentation: Who’s Boss, 4 pm 26.-7 in the exhibition, Tüzraktér Independent Cultural Centre, Budapest (HU)
2006 (3.11. – 24.11.) Solo exhibition, 9 – 12 hours workshop with pupils from the Anne-Frank-Realschule (secondary modern). Opening 20 Uhr 3.11., Bochumer Kulturrat, (D)
2007 (23.3.) On the online Feminist Art Base: www.brooklynmuseum.org…
Who’s Boss: Art Prize No.4, The Elizabeth A. Sackler Center for Feminist Art, The Brooklyn Museum, New York (USA)
2007 (4. – 7.4) Who’s Boss power point presentation Saturday, April 7th, 8:00 – 9:30 a.m., Salon K , Fashion, Appearance and Consumer Identity, Popular Culture Association, Thirty-seventh Annual Meeting, Boston Marriott, Boston (USA) www.popularculture.org…
2008 (16. – 18.5) Who’s Boss power point presentation in German, Limmud-Festival Werbellinsee (Jugenderholungs- und Begegnungsstätte) www.limmud.de/2008_en/… (D)
2014 (13.2. – 21.4) Art Prize no. 4 presented on panels in Tanya Ury’s Hair Shirt Army installation, in the crypt vault of EL-DE-Haus, the Nazi Documentation Centre, Cologne (D)
Publications & Press
2019 (12) Tanya Ury’s artworks are discussed, as well as those of several other German artists, by Peter Chametzky, with images of lesser is me more or less, Who’s Boss: Röslein Sprach…, Who’s Boss: Art Prize Nr.4, and Who’s Boss: Hair Shirt Army (photo documentation, at the exhibition opening in EL-DE-Haus 2014, Cologne, by Peter Chametzky), in “’Turks, Jews, and Other Germans in Contemporary Art’: An Introduction,” The Massachusetts Review (60th Anniversary Issue), vol. 60⁄4 (Winter 2019): p. 655 – 681. massreview.org/sites/d… (USA)
Artist’s Writings & Publications
2005 “Stets gern für Sie beschäftigt…” (”Always glad to be of service…”) catalogue, ifa Galerie, Berlin (D)
2006 (5.2006) Images Art Prize in Jahresausstellung (yearly exhibition) catalogue, Kunstverein Rosenheim (Art Centre), (D)
2006 (14−18.6) Who’s Boss as archival material, Performing Rights Library a four-day conference and accompanying programme of live events Performance Studies international (PSi) #12: Performing Rights, Queen Mary, University of London (GB)
2006 (28.8. – 3.9) Who’s Boss as Seminar presentation, c.sides Festival, International Convention Center, Jerusalem (IL)
2007 (7) Andy Warhol Bursary for publication of Who’s Boss article in Translate/Narrate issue, volume 20, n.paradoxa, International Feminist Art Journal, London (GB) http://web.ukonline.co.uk/n.paradoxa/#current