Publications & Press

1992 False Premises video still in BT New Contem­po­raries cata­logue ISBN 0951555626 (GB)
1993 Kölnisch Wasser, article by Robin Arthur in Hybrid Maga­zine (GB)
1994 An article by Veronika Rall on Tanya Ury’s perfor­mance Kölnisch Wasser, at the opening of the Femi­nale Film Festival, in the Frank­furter Rund­schau News­paper (D)
1995 YOU ARE WHY logo from Moving Message in New Femi­nist Crit­i­cism, Ed. Katy Deep­well, Manchester Univer­sity Press ISBN 0719042585 (GB)
1996 Ury featured in Artist’s Address Book Cologne (D)
1996 Kölsche Juden (Jews in Cologne), inter­view by Karin Jurschick Stadtrevue Cologne (D)
1996 Play it by Ear, article by Jürgen Kisters Kölner Stad­tanzeiger (D)
1996 Play it By Ear feat. In Castle of Imag­i­na­tion cata­logue Bytow (PL)
1997 Golden Showers article by Simone Hoff­mann, West­fäl­lische Nachrichten (D)
1997 Intro­duc­tion (unpub­lished) by von Mari­anne Lindow, for Golden Showers, City Library Munster (D)
1998 Article: Wi(e)der-Sprache (Talking Back) with Ury images, Springerin Art Maga­zine (A)
1999 (14.4) Parallel exhi­bi­tion opens of four Cologne artists to the German Army Exhi­bi­tion, City of Cologne, Bär (D)
1999 Golden Showers, inter­view Radio Cologne (D)
1999 Golden Showers, TV spot Frau TV WDR (D)
1999 Golden Showers, still in Kölner Rund­schau (D)
1999 Golden Showers, Stadtrevue photo & article by Petra Löffler (D)
1999 Trip­tych for a Jewish Princess Second Gener­a­tion, feat. in cata­logue, Jewish Visions in Berlin (D)
2000 Hotel Chelsea — Köln, 2 video stills in Gegen den Strich (Against the Grain) cata­logue, Museum Ludwig, publ. Locher Verlag, Cologne ISBN 3930054388 (D)
2000 Hotel Chelsea — Köln feat. in cata­logue of exhi­bi­tion Heimat Kunst, House of World Cultures, Berlin (D)
2000 (7.4) Hotel Chelsea — Köln featured in article by Henrike Thomsen about Heimat Kunst, Spiegel (news­paper) (D) www​.spiegel​.de/​k​u​ltur/…
2000 Ô d’Oriane, Kölner Stad­tanzeiger, article Sabine Müller (D)
2000 Ô d’Oriane, Kölner Illus­tri­erte, photo & article Jürgen Raap (D)
2000 WDR Radio Inter­view by Lale Konuk (D)
2001 Campus high­lights, Prof. Dr.Wolfgang Emmerich /​Dr. Lothar Probst, Insti­tute for German Cultural Studies, Univer­sity of Bremen (D) 209.85.129.104/search?…
2001 (67) Announce­ment of the exhi­bi­tion Insensed” Hotel Seehof, Zurich (CH) with image no. 1 from Ô d’Oriane in Kunst­forum Inter­na­tional, edition 155 (D)
2002 Intro­duc­tion (unpub­lished) by Angela Meli­topoulos, for Jacob’s Ladder, Hochbunker Cologne-Ehren­feld (D)
2002 Plath, Hitch­cock und die Metaphorik der Shoah: zur Vermit­teltheit von Geschichte und Iden­tität in der Kunst Tanya Urys, Dr Cathy S. Gelbin in Deutsch-jüdische Liter­atur der neun­ziger Jahre: Die Gener­a­tion nach der Shoah (Plath, Hitch­cock and Metaphors of the Shoah: the Medi­a­tion of History and Iden­tity in the Art of Tanya Ury), by Dr Cathy S. Gelbin, German-Jewish Liter­a­ture of the nineties: The Gener­a­tion after the Shoah), publ. Erich Schmidt Verlag ISBN 3503061258 (D)
2002 Cornelia Gerner Internet page on Ury for the House of World Cultures, Berlin www​.culture​base​.net/ar… www​.culture​base​.net/ar… (D)
2002 Title page: Hermes Insensed no. 59, Muse­u­mak­tuelle Maga­zine no. 7 July, (D)
2002 (10.8) Article Gabriele Breun, Kölnische Rund­schau (D)
2002 Hermes Insensed article include. on Ury in Schayan Deutsch­land’ (D)
2002 Jacob’s Ladder, article by Jürgen Kisters Kölner Stad­tanzeiger (D)
2002 Title page: Hermes Insensed # 59, Loretta, Bonner Maga­zine for Women (D)
2003 Jack the Ladder and article by Christoph Kivelitz on Ury in Das Recht des Bildes, Jüdische Perspek­tiven in der Modernen Kunst (The Right of the Image, Jewish Perspec­tives in Modern Art), Hans Günter Golinski, Sepp Hiekisch (Ed.) publ. Edition Braus ISBN 3899040767 (D)
2003 lesser is me more or less and article on Ury in Stadt­spiegel Bochum (D)
2003 Meta­phern des Genozids Die Repräsen­ta­tion von Geschichte und Iden­tität in der Kunst Tanya Urys von Dr Cathy S. Gelbin in Gesellschaf­s­the­orie und Post­colo­niale Kritik (Metaphors of Geno­cide, The Staging of History and Iden­tity in the Art of Tanya Ury), by Dr Cathy S. Gelbin in Social Theory und Post-Colo­nial Critique, publ. Unrast Verlag ISBN 3897714256 (D)
2003 Metaphors of Geno­cide: The Staging of Jewish History and Iden­tity in the Art of Tanya Ury, by Dr Cathy S. Gelbin in: Perfor­mance and Perfor­ma­tivity in German Studies, ed. by Caro­line Duttlinger et al. Oxford: publ. Peter Lang AG. ISBN 3039101501 (CH) www​.peter​lang​.com/inde…
2004 Wider die Medien-Vergötzung (Against Media-Idol­atry) by Peter V. Brinkemper Tele­polis Article-URL feat. Ury: www​.tele​polis​.de (D)
2004 Hermes Insensed cata­logue presented by Korridor Verlag at the Leipzig Book fair (D)
2004 Inter­view for film on body art, Alexandra Gerbaulet & Mirko Winkel (D)
2004 Wolf­gang Alber, article on Who’s Boss: Hair Shirt, Dress­codes in Schwäbis­ches Tagblatt (D)
2004 Ury’s web site and artworks Who’s Boss referred to on the Metzingen home­page (D) www​.metzingen​-zwangsar​beit​.de
2005 Cata­logue, Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), Ifa Galerie Berlin (D)
2005 Article: Heraus­ra­gend (Outstanding), by kbn. Tip – Berlin Magazin (D)
2005 krim­inelle firmen (crim­inal firms), schein­schlag Nr. 05/​05, Berlin (D)
2005 Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), Sarah Ross, AVIVA​-BERLIN​.de (D)
2005 Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), berlin​.art49​.com (D)
2005 Stets gern für Sie beschäftigt…” (”Always glad to be of service…”), german​gal​leries​.com (D)
2005 (27.1) Article with photo still Röslein sprach…,:Wer das härende Hemd trägt (who wears the hair shirt), Berliner Zeitung news­paper, by (BLZ) (D)
2005 (27.1) Article Wer das härende Hemd trägt (who wears the hair shirt), berli​non​line​.de, by (BLZ) (D)
2005 (27.1) Article: Verdi­enen Am Horror – Holo­caust: Stets gern für sie beschäftigt“ (Gains by Horror – Holocaust:”Always glad to be of service…”) (rit.), Ticket – Das Magazin für die Stadt (The Maga­zine for the City), Berlin (D)
2005 (29.1) kulturkueche​.de (Culture Kitchen), Berlin (D)
2005 (1.2.) Article: Grauen – nicht auf den ersten Blick — ifa-Galerie thema­tisiert Zusam­men­hänge zwis­chen Firmen und Naziver­brechen (Horror – not at first sight – ifa Gallery’s theme is the link between compa­nies and Nazi crimes) by Robert Meyer, Neues Deutsch­land, Berlin (D)
2005 (10.2) Schoa-Kunst in Berlin, Jüdische Allge­meine Wochen­zeitung (ja), (Art of the Shoah in Berlin, Jüdische Allge­meine Weekly) Berlin (D)
2005 (18.2) Article: Haut­naht – ifa-Galerie: auf den Spuren des Holo­caust (Skin Deep – ifa Gallery: In Search of Traces of the Holo­caust), by Jens Hinrichsen, Tagesspiegel, Berlin (D)
2005 (25.2) Review with photo still Röslein sprach…, Hugo’s dunklere Seite” (Hugo’s dark side) article by Martin Conrads, Netzeitung​.de, Voice of Germany images​.google​.com/imgr… www​.netzeitung​.de/img/… www​.netzeitung​.de/voic… (D)
2005 (3) Article: Neue Liter­atur, Palästina Journal Nr. 61 (New Liter­a­ture, Pales­tine Journal No. 61), by Thea Geinitz (D)
2005 (3) Article with photo still Röslein sprach…, by Martin Conrads Zitty Maga­zine, Berlin (D)
2005 (3.3) Mahnen und Erin­nern (Memo­rials and Remem­bering), Märkische Oderzeitung Frank­furter Stadt­bote News­paper (D)
2005 (7.3) Article Röslein sprach…, Geld stinkt eben doch — Voll waren die Auftrags­bücher zu Nazizeiten: Eine Ausstel­lung in der ifa-Galerie Berlin erin­nert an Prof­i­teure des Massen­mords (Money stinks after all – the order books were full during the Nazi times: an exhi­bi­tion in the ifa Gallery remem­bers those who prof­ited from mass murder) by Matthias Reichelt, Tageszeitung Junge Welt news­paper, Berlin (D)
2005 (16.2) Article: Es fährt ein Bus nach Sach­sen­hausen – Die dunkle Seite von Hugo Boss (The Dark Side of Hugo Boss — There’s a bus driving to Sach­sen­hausen), by Brigitte Werneburg, TAZ news­paper (D)
2005 (30.5) Stets gern für sie beschäftigt” …” (”Always glad to be of service…”), Rügener Zeitung (Rügen news­paper), Kunst und Zwangsar­beit (Art and Forced Labour), Andreas Küster­mann, Doku­men­ta­tion­szen­trum Prora (D)
2005 (19.05.) Ausstel­lung zur Vernich­tungspolitik (Exhi­bi­tion about exter­mi­na­tion poli­tics), Ostsee Zeitung​.de (news­paper)
2005 (28.05.) Kunstausstel­lung in Prora über Indus­trie und Holo­caust (Art Exhi­bi­tion on Industry and the Holo­caust: Sechs Künstler zeigen Werke über die Verstrickung deutscher Firmen in den Massen­mord (six artists show work about the involve­ment of German firms in mass murder) Evan­ge­lis­cher Presse­di­enst (Prote­s­tand Press Service (D))
2005 (28.05.) Ausstel­lung klagt deutsche Firmen der Beteili­gung am Holo­caust an (Exhi­bi­tion accuses German firms of involve­ment in the Holo­caust), Märkische Oderzeitung (news­paper (D)
2005 (29.05.) Prora: Ausstel­lung über die Indus­trie und den Holo­caust (exhi­bi­tion about Industry and the Holo­caust), Berliner Morgen­post (news­paper (D))
2005 Filmri:ss (Blackout), book reviewed, deutsches​fach​buch​.de/i…
2005 NEUE KUNST AUS DEUTSCHLAND UND POLNISCHE VIDEOKUNST, CONTACT CONTEXT Künstler­forum Bonn und die Produzen­ten­ga­lerie Viktoria b Bonn (New art from Germany and Polish video art), polnis​ches​-institut​.de…;
2005 (11) Announce­ment of Taiwan screen­ings with image fom Hotel Chelsea – Köln in Kunst­forum Inter­na­tional, edition 178 (D)
2006 (5.) Images of Beelze­bu­larin & Who’s Boss: Art Prize & Hair Shirt in Jahre­sausstel­lung cata­logue, Kunstverein Rosen­heim (Art Centre), (D)
2006 (3.11.) Who’s Boss and chil­drens’ work­shop, news­paper article with Photo, Ruhrnachrichten (Ruhr News) (D)
2006 (4.11.) Who’s Boss and chil­drens’ work­shop, news­paper article with Photo, Stadt­spiegel Bochum (D)
2006 (4.11.) Who’s Boss, news­paper article with Photo, Bochum (D)
2006 The German speaking Wikipedia published an article on Tanya Ury and her work at this link de​.wikipedia​.org/​wiki/…
2007 (10.3) Article on Ury’s art work: Du bist Einstein” in Connected”, Dirk Richerdt, RHEINISCHE POST, Moenchenglad­bach (D)
2007 (23.4) Article on Jahre­sausstel­lung des Kunstvereins Rosen­heim (Rosen­heim Art Centre’s Yearly Exhi­bi­tion), by Raimund Feichtner, Kultur in der Region (Culture in the Region), Verlagshaus (Publishing House) Rosen­heim, including press on Du bist Einstein“ and or else“ including an image of Du bist Einstein“ (D)
2007 (12) Refer­ence to Ury’s work (Kölnisch Wasser and Hotel Chelsea — Köln) in Double Visions: Queer Femi­ninity and Holo­caust Film from Ostatni Etap to Aimée & Jaguar, Dr. Cathy S. Gelbin, Women in German Year­book 2007. Volume Twenty-three. Femi­nist Studies in German Liter­a­ture & Culture. Edited by Helga Kraft and Maggie McCarthy. Univer­sity of Nebraska Press ISBN 0803216017 muse​.jhu​.edu/​d​e​m​o​/wome… (USA)
2007 Presen­ta­tion of the video False Premises at The Videotech, Cardiff: Chapter Arts Centre 1994, mentioned in Perfor­mance in Wales data­base (GB) performancewales.aber.…
2008 (3) An article by Simon Hoegs­berg on Tanya Ury’s and Laurel Jay Carpenter’s part­ner­ship during the Avant-Garde Dating week (27.9. – 3.10.2007) has been presented in the Danish maga­zine Samvirke”, March edition 2008. There is an English trans­la­tion on Hoegsberg’s website www​.simon​hoegs​berg​.com… (DK)
2008 (14.2) Nadine Albach, Westrop­olis, on Poli­tics”, Künstler­haus Dort­mund (D) www​.westrop​olis​.de/nad…
2008 (15.2) Ruhr Nachrichten Poli­tics” vereint Arbeiten von neun Künstlern im Künstler­haus (Ruhr News: Poli­tics” brings together artworks of nine artists at the Arthouse) (D)
2008 (34) Announce­ment of the exhi­bi­tion Poli­tics in Kunst­forum Inter­na­tional edition 190 (D)
2008 (11) Article on Tanya Ury (in German) by Hartmut Bomhoff, with images of Beelze­bu­larin and doo bee doo, Jüdische Zeitung (monthly), Berlin (D) www.j‑zeit.de/archiv/a…
2008 (6.12) Leute in Köln” (People in Cologne), Beatrix Lampe inter­views the artist Tanya Ury (in German) in the Kölner Stadt-Anzeiger”, for the Jewish Impres­sions’ series, 7. – 21.12, Arkadas Theater, Bühne der Kulturen (Stages of Diverse Cultures), Cologne (D) www​.arkadasthe​ater​.de/…
2009 (1) Tagestipp in der Kölner Stadtrevue“ (Janu­a­raus­gabe ab 20.12.2008), zum 9.1.2009 Tanya Ury und der Reihe Jüdische Impres­sionen, im Arkadas Theater, Bühne der Kulturen, Köln (D) 9.1 www​.arkadasthe​ater​.de/…
2009 (19.3) Tanya Ury, radio inter­view with Annette Hager, 6.088 pm, Reso­nanzen WDR 3, on the collapse of the Historisches Archiv (Histor­ical Archives) Cologne (D) www​.wdr​.de/​t​h​e​m​e​n​/glob…
2009 (4) Image of Beelze­bu­larin in Zeek: A Jewish Journal of Thought and Culture (USA)
2009 (18.7) Tele­vi­sion inter­view (recorded 15.6) with Achim Zeil­mann of Aspekte ZDF Hilfeschreie aus Papier” (Paper Cries for Help), (repeated on days following): report on the collapse of the Historisches Archiv (Histor­ical Archives) Cologne (D)
2009 (28.8) Tele­vi­sion inter­view with Theo Roos (25.8), 7.20 pm, Kulturzeit – Köln Reloaded, 3 Sat, report on the collapse of the Historisches Archiv (Histor­ical Archives) Cologne (D) archiv​.twoday​.net/topi… wstreaming​.zdf​.de/3sat…
www​.3sat​.de/​d​y​n​a​m​ic/si…
2009 (17.3) UBC OKANAGAN PRESENTS TANYA URY’S AVANT GARDE DATING AND ARTISTIC LECTURE ON JEWISH AND FEMALE IDENTITY, Online Media Release web​.ubc​.ca/​o​k​a​n​a​g​an/pu…
2009 (6.10) Article by Helga Humbach, on the Aura event (16.8.): Trapped” Tanya Ury and Cologne authors, priests and politi­cians on the collapse of the City Archives, in ver.di-Zeitschrift Kunst & Kultur (Art & Culture Maga­zine), Cologne (D)
2009 (17.8) Reading for the buried works”, press review by Gerhart R. Baum, Kölner Stadt-Anzeiger (Cologne City Gazette) (D)
2009 (12) Article: Artist’s portrait (in German): Davka: Jewish Artists in Germany – Tanya Ury, by Hanna Rheinz in Der Semit – Unab­hängige Jüdische Zeitschrift” (The Semite – Inde­pen­dent Jewish Peri­od­ical) No. 6, December 2009 – January 2010 edition, ISSN 1869 – 0416 (D)
2009 (12) Article: Fami­li­en­nach­lass (Family Legacy), in German, by Jürgen Raap, Kunst­forum Inter­na­tional (D)
2011 (17.3) Tanya Ury brought a suit­case to Cologne, refer­ence to Fury in Art and Remem­bering, Cologne News, the Online-News Maga­zine for Cologne (D)
2011 (17.3) Refer­ence to Fury in Cologne Review — Art and Remem­bering”: A Multi-faceted Show at the Nazi Docu­men­ta­tion Centre, Katha­rina Hamacher (D)
2011 (17.3) Refer­ence to Fury in Cologne Artists get to grips with National Socialism – Start page – Cathe­dral City – Culture – Art City Cologne, js (D)
2011 (17.3) Refer­ence to Fury in Nazi Docu­men­ta­tion Centre Art and Remem­bering” – a Peep­hole into the past — report‑k.de, Cologne (D)
2011 (9.5.) Presen­ta­tion of the exhi­bi­tion Jacob’s Ladder mentioned in the Veedel (Neigh­bour­hood) Website: Hochbunker Körn­er­straße: Ein beson­derer Ort für beson­dere Kunst” (The Above Ground Bunker in Koerner Street: A Special Place for Special Art), by Jürgen Brock-Milden­berger 4veedel​.de/ Cologne (D)
2011 (11) 30-minute radio feature by Ingrid Strobl on Tanya Ury, in the radio series Eine kurze Geschichte von…” (a short story about…), WDR5, Cologne (D), Saturday, 19. November, 15.3516.00 hours. Repeat: Sunday, 20. November, 18.05 Uhr-18.30 hours. Trailer www​.wdr5​.de/​s​e​n​d​u​ngen/…
2011 (15.11) The article Written Into the Body – the Perfor­mance Video Art of Tanya Ury” by Juli­ette Brungs, appears in Nexus: Essays in German Jewish Studies, ISBN 9781571135018, Duke Univer­sity, published by Camden House (USA) books​.google​.de/​books?…
2013 (2.4) An article by Mari­anne Kier­spel in the Kölner Stad­tanzeiger (journal), on SUSPENDED BELIEFS, a concert with free impro­vised music: Kasander Nilist (double bass and sound mix), Hans Salz (percus­sion), Peter Alexius Worringer (elec­tric guitar), featuring Tanya Ury, impro­vised poetry mostly in English with German, Spring Festival, Lutherkirche, Martin-Luther-Platz 4, 50677, Cologne (D)
2013 (31.7) Blog: musermeku.hypotheses.o…, by Oliver Sukrow, M.A., Doctoral candi­date at the Insti­tute for Euro­pean Art History (IEK) Heidel­berg Grad­uate School for Human­i­ties and Social Studies (HGGS), Ruprecht-Karls-Univer­sity Heidel­berg, to the discus­sion panel From Lesser to Tanya Ury: German-Jewish Artists, 1890 — 2010”, at the 2013 College Art Asso­ci­a­tion Annual Meeting, New York Hilton (USA)
2013 (4.9) Playful Verse, Videos and Holo­grams — The Cologne Artist Tanya Ury exhibits 47 Visual Poems in the Central Library, on Josef-Haubrich-Hof”, an article by Jürgen Kisters in the Kölner Stadt-Anzeiger (Cologne City Gazette) (D)
2013 (9) Performing the Jewish Body in Contem­po­rary Germany”, to be published disser­ta­tion on Esther Dischereit and Tanya Ury, Dr. Juli­ette Brungs, Univer­sity of Minnesota (USA)
2014 (February/​March) Flyer and poster with image of shower proof, for Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne (D)
2014 (13.2) A Personal Memo­rial”, article on Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne, by Susanne Kreitz in Kölner Stadt-Anzeiger (Cologne City Gazette) (D)
2014 (13.2) Hair Shirt Army in the Vault”, article on Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne, by Susanne Schramm in Köln kompakt – Rheinische Post – Neuß-Greven­broicher Zeitung (Cologne compact – Rhine Post — Neuß-Greven­broich Paper) (D)
2014 (13.2) Not a vendetta against the Boss Company”, article on Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne, in Kölnische Rund­schau (Cologne Review) (D)
2014 (13.2) Hugo Boss and the Nazi Past”, article on Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne, by (ehu) in Köln Nachrichten (Cologne News) The Online News Maga­zine for Cologne (D)
2014 (13.2) An article: NS-DOC: Who’s Boss: Hair Shirt Army.” — Tanya Ury in the vault” Culture Art, in Report‑K.de Cologne’s Internet News­paper (D)
2014 (13.2) Who’s Boss: Hair Shirt Army — A Very Personal Process of Coming to Terms with the Past, article in koeln​.de (D)
2014 (14.2)Who’s Boss: Hair Shirt Army“, article on the instal­la­tion in the Nazi Docu­men­ta­tion Centre, Cologne, in Maga­zine-Supple­ment to Kölner Stadt-Anzeiger (Cologne Gazette) (D)
2014 (26.2. – 26.3.) Tanya Ury: Who’s Boss – Hair Shirt Army” with image of shower proof, by Barbara Hess, in Stadtrevue (City Revue)
2014 (3.5) Inter­view (22:18 minutes on 18th April) with Tanya Ury by Brigitte Lang and Rebecca Mann, on the instal­la­tion Who’s Boss: Hair Shirt Army in the Nazi Docu­men­ta­tion Centre, Cologne, including extracts of Ury’s concert perfor­mance archive burn out, with Suspended Beliefs: Tanya Ury (text/​voice), Gernot Bogumil (trumpet), Kasander Nilist (double bass), Hans Salz (percus­sion)), online on Allewel­tonair (D) (All the World on air) as podcast – can’t dance without my shadow” www​.allewel​tonair​.de/t…
2014 (14.7) Article by Thomas Schu­bert in Berliner Woche (Berlin Week) online on Lost in Inte­riors – Photo­graphic Posi­tions on Polit­ical Impris­on­ment” a group exhi­bi­tion (05.07 – 12.10.2014), to the 25 Jahre Mauer­fall” programme (25 Years After the Fall of the Wall), in Berlin, about Hohen­schön­hausen, the former Stasi prison, at Projek­traum – PhotoW­erk­Berlin, c/​o Kommu­nale Galerie Berlin (D), featuring Tanya Ury and Artistic Freedom (7 photos). www​.berliner​-woche​.de/… www​.photow​erk​berlin​.co…
2014 (11.9) Inter­view with Tanya Ury by Verena Krippner (18.4.2014), online at this link: fish​ing​fore​mo​tions​.de/ (D)
2014 (14.9) A mention of Tanya Ury (impro­vised poetry) and Kasander Nilist (double bass), who performed at the opening of the exhi­bi­tion Sag mir, wo die Blumen sind“ (Where Have All the Flowers Gone), in an article by Andreas Helfer in the e‑paper Rhein-Sieg-Anzeiger, Kölnische Rund­schau (D) www​.ksta​.de/​t​r​o​i​s​dorf/…
2014 (10.12) Preview for radio inter­view with Astrid Nettling, The Feature: Working on the Archive, Deutsch­land­funk (D) www​.deutsch​land​funk​.de…
2014 Osborne, D. (2014), ‘“Alas, alas. House, oh house!”: The collapse of the Cologne City Archive’, Journal of Urban Cultural Studies, 1: 3, pp. 395 – 416, doi: 10.1386/jucs.1.3.395_1, including a critique of Ury’s Archive — Fury and archive burn out
2015 (23.1.) Arbeiten am Archiv” (Working on the Archive), 50-minute radio programme in the series Das Feature” (The Feature) on Tanya Ury by Dr. Astrid Nettling (director Burkhard Reinartz), from 8:10 till 9 pm on Friday 23rd January, Deutsch­land­funk (D) www​.deutsch​land​funk​.de…
2015 (2) Tanya Ury’s photo series Artistic Freedom has been discussed by Wolf­gang Grätz in the Artclub journal no. 73, photog­raphy edition, and the Frank­furt Book Club, Bookseller’s Shop website (D) www​.buechergilde​.de/tl…
and www​.grafik​brief​.de/kue…
2015 (22.31.11) Tanya Ury’s Hair Shirt Army are repre­sented on a double side in the cata­logue for Daniel Spoerri’s group exhi­bi­tion Lieben und Haben – Lieb­haben, Sammeln und Sammler“ (Loving and Having – Cher­ishing, Collecting and Collec­tors). Spoerri’s 85th birthday exhi­bi­tion is in the Spoerri Exhi­bi­tion House, Hader­s­dorf am Kamp (A) www​.spoerri​.at/​a​k​tuell…
down­load cata­logue www​.spoerri​.at/​d​o​wnloa…
2015 (30.4.) The Art of Jewish Hair”, an article about Salon Style, a group show at the Studio Museum in Harlem, New York City, including a para­graph on Tanya Ury’s Hair Shirt, by Marjorie Ingall, in Tablet Maga­zine (USA) www​.tabletmag​.com/jewi…
2016 (6) 2 Docu­men­ta­tion photos by Tanya Ury of her artwork Who’s Boss — Hair Shirt Army, exhib­ited in EL-DE-Haus, The Nazi Docu­men­ta­tion Centre of the City of Cologne in 2014, published, in a book section on her Jewish-German family history, in Der jüdische Friedhof Köln-Bock­lemünd“ (The Jewish Ceme­tery in Cologne-Bock­lemünd) by Barbara Becker-Jákli, Emons Verlag publi­ca­tions ISBN 9783954518890 (D)
2017 (5.) Page 272, Note 10. Epilogue — refer­ence to Tanya Ury’s self-exposing art in In the Name of the Daughter: The Belle Juive Strikes Back, The Jew’s Daughter: A Cultural History of a Conver­sion Narra­tive by Efraim Sicher, Noa Sophie Kohler (Contrib­utor), Lexington Books 2017 ISBN-13: 978 – 1498527781 ISBN-10: 1498527787 books​.google​.de/​books?…
2017 The English-speaking Wikipedia published an article on Tanya Ury and her work at this link en​.wikipedia​.org/​wiki/…
2018 (26.5.) Tanya Ury, of the Jewish Voice for a Just Peace in the Near East, Germany, spoke at 70 Years Nakba”, a day of action with the BDS Group Bonn (Boycott, Disin­vest­ment and Sanc­tions), DPG Bonn (German Pales­tinian Asso­ci­a­tion), the Pales­tinian Commu­nity in Bonn, and the Insti­tute for Pales­tine Studies, 2 pm, at Münster­platz, Bonn. A photo docu­men­ta­tion can be seen at this link www​.nrhz​.de/​f​l​y​e​r​/beit…, Neue Rheinische Zeitung, Arbeit­er­fo­tografie (New Rhenish Gazette, Workers Photog­raphy) (D) and a short report was broad­cast on Aktuelle Stunde” WDR (The Current Hour, West German Broad­casting Corporation)
2018 Tanya Ury (impro­vised poetry) is mentioned regarding her impro­vising collab­o­ra­tion with Elis­a­beth Coudoux (cello) on the Wikipedia site de​.wikipedia​.org/​wiki/…
2019 (7.9.) Tanya Ury’s artwork, among others is discussed in Who Repre­sents Germany? Intro­ducing Turks, Jews, and other Germans in Contem­po­rary Art”, Keynote address at Commu­nity: Public, Private, Patron, & Spec­tator, The Fifth Sympo­sium in Art History, Univer­sity of North Carolina, Chapel Hill, by Prof Dr Peter Chametzky, Professor of Art History, Univer­sity of South Carolina (USA)
2019 (12) Tanya Ury’s artworks are discussed, as well as those of several other German artists, by Peter Chametzky, with images of lesser is me more or less, Who’s Boss: Röslein Sprach…, Who’s Boss: Art Prize Nr.4, and Who’s Boss: Hair Shirt Army (photo docu­men­ta­tion, at the exhi­bi­tion opening in EL-DE-Haus 2014, Cologne, by Peter Chametzky), in “’Turks, Jews, and Other Germans in Contem­po­rary Art’: An Intro­duc­tion,” The Mass­a­chu­setts Review (60th Anniver­sary Issue), vol. 604 (Winter 2019): p. 655 – 681. mass​re​view​.org/​s​i​tes/d… (USA)


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