Selection

A photo­graph, lami­nated and backed with 3mm Dibond, H 45 x W 30.5 cm (Edition of 7)

Insur­ance value 1,000 Euros

Since 2010, Tanya Ury has been working on the research project Who’s Boss – Empire’s New Clothes, as PhD. in Human­i­ties candi­date at Leiden Univer­sity, Insti­tute for Cultural Disci­plines (NL)

In the summer of 2006 Hugo Boss produced a new men’s cologne Selec­tion”, and presented it with the slogan Setze eine Zeichen” (“Leave a Mark”). For many people with crit­ical aware­ness, this word recalls the Nazi’s selec­tion on the ramp at the entrance of the concen­tra­tion camps, of those fit enough to work as slave labour from those to be exter­mi­nated. It is incon­ceiv­able that the company is not aware of this asso­ci­a­tion and proves there­fore to be an extra­or­di­narily crass choice of label, partic­u­larly given the company’s Nazi history.

For Who’s Boss: Selec­tion I photographed an adver­tise­ment placard of the new fragrance in a Warsaw shop window, early October 2006, as a man wearing a jacket with camou­flage-design was walking past, thereby suggesting Boss’s former mili­tary connec­tion. 

The poster texts says that: Thomas Kretschmann the German actor, who lives in Los Angeles, has mastered the most varied chal­lenges in his life.

He was born in Dessau of the former German Demo­c­ratic Republic and was a member of the Olympia swim­ming team. At aged 20, he fled to West Berlin via Hungary and Austria, however, so that he could realise his dream of becoming an actor here (in Germany). As a stage and film actor he rapidly won the hearts of Germany and soon gained the prize of best newcomer.” (Boss promo­tion) 

The text of this adver­tising campaign seems to suggest a partic­ular pride in Kretschmann for having attained his greatest success in West Germany and not the former East. Boss the quin­tes­sence of capi­talist achieve­ment, with this rupture however, suppresses the shared and insep­a­rable Nazi inher­i­tance of the BRD and DDR.

Infor­ma­tion

Camera: Tanya Ury 

Digital image processing: Claudia Stasch

Who’s Boss — a collec­tion of works:




Presen­ta­tion

2006 (3.11.) Who’s Boss seminar presen­ta­tion, work­shop with pupils from the Anne-Frank-Realschule (secondary modern), Bochumer Kulturrat, (D)

2007 (4. – 7.4) Who’s Boss power point presen­ta­tion Saturday, April 7th, 8:00 – 9:30 a.m., Salon K , Fashion, Appear­ance and Consumer Iden­tity, Popular Culture Asso­ci­a­tion, Thirty-seventh Annual Meeting, Boston Marriott, Boston (USA) www​.popu​lar​cul​ture​.org…

2008 (16. – 18.5) Who’s Boss power point presen­ta­tion in German, Limmud-Festival Werbellinsee (Jugen­der­hol­ungs- und Begeg­nungsstätte) www​.limmud​.de/​2008_en/… (D)

2012 (11.6) Tanya Ury is the featured artist with new works in the June edition online of Imag­i­na­tions: Journal of Cross-Cultural Image Studies, Univer­sity of Alberta, Canada, with Videos: Inti­macy, cement & dark room; a series of 17 concrete poems, the photo­graph Alibi­jude, Selec­tion from the Who’s Boss series, and 8 photos from Soul Brothers & Sisters, also 3 photos of Occupy in Stras­bourg, from the Fading into the Fore­ground series; further­more 5 toned poems (sounds, music and sound mix Kasander Nilist) and a peer review inter­view (text and Skype video) with Claude Desmarais, (CA) www​.csj​.ualberta​.ca/im…


Artist’s Writ­ings & Publications

2005 Stets gern für Sie beschäftigt…” (”Always glad to be of service…”) cata­logue, ifa Galerie, Berlin (D)

2006 (1418.6) Who’s Boss as archival mate­rial, Performing Rights Library a four-day confer­ence and accom­pa­nying programme of live events Perfor­mance Studies inter­na­tional (PSi) #12: Performing Rights, Queen Mary, Univer­sity of London (GB)

2007 (7) Publi­ca­tion of Who’s Boss article in Translate/​Narrate issue, volume 20, n.paradoxa, Inter­na­tional Femi­nist Art Journal, London (GBweb​.ukon​line​.co​.uk/n.p…

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